LITERARY CRITICISM / Modern / 17th Century

Humanities HUB LITERARY CRITICISM Modern 17th Century

BISAC LIT024020

Current paper · Semantic Scholar

Decoding Literary Discourses: Literary Theory and Criticism as Interconnected Interpretive Practices

The development of nineteenth- and twentieth-century literary studies has brought literary theory and criticism to the centre of ways of reading cultural, ideological, linguistic and aesthetic formations. Developing from a range of traditions, including structuralist, poststructuralist, Marxist, feminist, post-colonial, psychoanalytic, reader-response, and cultural studies, literary theory increasingly shapes the ma…

picked 11 Aug 2026

Reference · Wikidata

17th century

century

picked 13 Aug 2026

Encyclopedia · Wikipedia

17th century17th century

The 17th century lasted from January 1, 1601, to December 31, 1700 (MDCC).

via Wikipedia
picked 12 Aug 2026

Book · DOAB

«La sana critica». Pubblicare i classici italiani nella Milano di primo Ottocento

In the early 19th-century, Milan was the most active Italian city in the publishing of books. There, collectors, librarians, scholars of ancient literature and young men of letters were protagonists in an intense activity of publishing classical texts. New editions of Divina Commedia, Petrarch's Rime, Boccaccio’s Decameron, Ariosto’s Orlando Furioso, Tasso’s Gerusalemme Liberata and of many works by writers of the 1…

picked 12 Aug 2026

Full text · Open Library

John Donne PoetryJohn Donne Poetry

"This new Norton Critical Edition presents a comprehensive collection of Donne's poetry. The texts are divided into sections: "Satires," "Elegies," "Verse Letters to Several Personages," "Songs and Sonnets," and "Divine Poems." They have been scrupulously edited and are from the Westmoreland manuscript where possible - collated against the best exemplars from the most important families of Donne manuscripts: the Cam…

cover via Open Library
picked 12 Aug 2026

Image · DPLA

Women's Patronage in Baroque Florence (Q&A): Consortium Carissimi & Kelley Harness, Apr. 2012Women's Patronage in Baroque Florence (Q&A): Consortium Carissimi & Kelley Harness, Apr. 2012

The Magdalene Project: The Ecstasy in Music. Baroque ensemble Consortium Carissimi will explore the name of Mary Magdalene, the role of women in early baroque Florentine culture, and the ecstasy in music, with historical framework provided by Kelley Harness, Associate Professor of Musicology, University of Minnesota. Set for six solo voices, violin, sackbut and period instruments of figured bass accompaniment, this …

University of Minnesota Libraries, via DPLA
picked 12 Aug 2026
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