PERFORMING ARTS / Radio

Current paper · Semantic Scholar

Music theory learning is a conceptual foundation in performing arts education, but in practice it is often perceived as an abstract subject that is detached from students' artistic experiences. This study aims to examine music theory learning from a pedagogical and aesthetic perspective and to formulate principles for its development based on a praxial music education framework and humanistic pedagogy. This study us…

Reference · Wikidata

edition of Harris M. Lentz's Obituaries in the Performing Arts 2000

Encyclopedia · Wikipedia

New Radio and Performing Arts, Inc. (NRPA), and its satellite project Turbulence.org, was an American organization that commissioned and archived new and experimental radio art, sound art, net art and mixed reality art. It was founded in 1981 by Helen Thorington. In 2003, NRPA opened an office in Boston, Massachusetts. The organization closed in December 2017.

Image · Europeana

Book · DOAB

In 1954 Dame Enid Lyons, the first woman elected to the Australian House of Representatives, argued that radio had 'created a bigger revolution in the life of a woman than anything that has happened any time' as it brought the public sphere into the home and women into the public sphere. Taking this claim as its starting point, Sound Citizens examines how a cohort of professional women broadcasters, activists and po…

Full text · Open Library

"The Art of Voice Acting" was first published in November, 1998 and has an update cycle of approximately four years. At the time of this post (2018), the book is in preparation for the 6th edition scheduled for publication in March, 2019. Originally published by Focal Press, the current publisher is Routledge, a division of Taylor and Francis Publishing. The first edition was 235 pages and the 6th edition will be ov…

Image · DPLA

This interview promoted Henri Lazarof's U.S. Premiere of his "Concertanti" by the an San Francisco Chamber Orchestra. Farley talks with Lazarof about the compositional process and the creative process in the creation of music. Lazarof mentions the challenges of working with commissions. Lazaroff does talk about the inspiration behind his "String Octet" and "Viola Concerto". His "Viola Concerto" started a lasting, wo…